JAMES VADER

James Vader is a composer for film, TV, and video games. His orchestral-electronic scores span from intimate, character-driven narratives to bold, large-scale compositions, always shaped by the unique demands of the project.

Through layered instrumentation and intricate tonal shifts, he merges atmospheric minimalism with bold thematic writing, often incorporating felt piano, processed strings, and analog synths to create music that feels both ethereal and deeply human.

Scoring sci-fi, psychological thrillers, dystopian worlds, and drama, he moves between delicate orchestration and raw, industrial energy. He weaves haunting piano melodies, evocative string textures, and brooding synth tones into immersive soundscapes—from fragile, textural drones to pulsing synths and jagged string techniques. Whether underscoring quiet introspection or high-stakes tension, his music serves as both a sonic pulse and an emotional anchor.

Recent projects include Exception (2024), Luna (2024), Speechless (2024), Fear & Trembling (2023), Goliath (2023), and the award-winning sci-fi Riley (2022, Best Original Score – Best Shorts).

Beyond film, James has scored trailers, video games, and global campaigns for internationally recognised brands, bringing a distinct sonic identity to every project—whether atmospheric drama, stylised storytelling, thrilling suspense, or expansive sci-fi worlds.

James is based in Sydney, Australia.